SE Electronics BL8 Cardioid Boundary Microphone with EQ Control Kelly Shu Compatible Black

Bullet-proof, built like a tank and ready for the road, your secret weapon for a variety of applications such as kick drums and other high SPL sources. The BL8 is a half-cardioid boundary microphone, utilizing the same capsule as the celebrated sE8 small-diaphragm condenser. Its hand-crafted, true condenser capsule utilizes an ultra-thin three-micron gold-sputtered diaphragm for superior transient response. Designed to reproduce low frequencies with stunning accuracy, the BL8 is perfect in combination with our V Kick, but can also be used alone without an additional outer kick drum mic. It is also compatible with The Kelly Shu Flatz™ Isolation System, making it ideal for touring applications. The BL8 utilizes transformerless Class-A circuitry to ensure plentiful headroom without distortion, while its low-noise electronics deliver transparency and clarity. The integrated low-cut filter and optional EQ shaping switch make it a very versatile microphone, excelling at immersive ambience recording, detailed room miking, and it can even be used on acoustic pianos. Thanks to its switchable attenuation pad, the BL8 keeps high-SPL sources from overloading your mixer’s input. Robustly built, the BL8 features an all-metal construction, a dent-proof grille, and gold-plated XLR contacts to ensure long-term reliability. Utilizing the same capsule as the celebrated sE8 small-diaphragm condenser, the BL8 features a hand-crafted, true condenser capsule with an ultra-thin three-micron gold-sputtered diaphragm for superior transient response. Bullet-proof, built like a tank and ready for the road Robustly built, the BL8 features an all-metal construction and a dent-proof grille, perfect for touring environments and busy stages. The BL8 is also compatible with The Kelly Shu Flatz™ Isolation System for easy integration into any kick drum. The integrated low-cut filter and attenuation pad switches make the BL8 a very versatile microphone, excelling at ambience recording,